Bacchanal outright, and made no more bones but sprang 
     after him, and so resigned up her priesthood, and left 
     work for Musaeus and Kit Marlowe.

     Just how much the circumstances affected not only the 
structure of music but of language and music, appears in John 
Hollander’s discussion of the Elizabethan theatres (The  
Untuning of the Sky , p. 147) with their elaborate use of music 
in signalling functions and the necessity of incorporating all 
music except these signals into the plot of the play itself. “The 
small coterie theatres of the city . . . followed the masque . . .”